trucdesign.com

I'm an architect, artist, designer...a bit of confusion, I know...
In particular,at this moment there's a project I'm very proud of, it's a prototype but I hope to succeed in engineeering and producing it.
For now I just want to share with as more people as possible, because I'm looking fot help and critics.

Designer :: Paolo Casalis

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...The name “FlexibleLove” was derived from the concept of a ‘flexible love-seat’ - seating that could hold from one to as many as sixteen individuals; changing length and shape with a simple pull at each end. A honeycomb structure, used throughtout the entire FlexibleLove line, produces an accordian-like result that allows each piece to be collapsed and extended with ease...

Designer :: Chishen Chiu

Watch a video of FlexibleLove in action

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Exclusive tree doors cabinet,inside tree compartments and tree adjustable glass shelves. Doors are composed from alternate square aluminum wood profiles.

Designer :: Franco Pelosi

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"X-BOW" Desk Lamp made of full brass casting, part of the "Golden Collection" Lights.

Currently a prototype, "X-BOW" is available for limited production runs and custom commissions.
The lamp is made in various finishes according to order.

Designer :: Adi Fainer

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Entries must be original works of entrants and must not have previously been released commercially. There is no limit to number of entries, and registration is free.

All employees from Ministry of Information, Communications and the Arts and FLOS are not allowed to enter the competition.

Participants ::

The Lightouch competition is open to all designers and non-designers, professionals or students; nobody has a monopoly over good ideas.

Competition Closes :: 30 March 2007

Register now

Thin Mdf boards attached with zippers, inside the "bags" at the carpet, become a retractable structure, easy to set up with Velcro ends. Your every day and under estimated carpet, might become the life of the party, when you push the coffee-table to the corner and set up your Carpet-lounge for your friends to chill out. Three back suports (armchair like angles) and two chaise-longues, your sofa is not enough!

Designer :: Felipe Zanardi

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Being based on the concept of flipping through magazines this magazine rack with its triangular supports allows the magazines to be clearly visible and accessible at all time. It is made of varnished wood and can be delivered in two sizes.

Designer :: Cristina Toledo

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This proposal for a digital camera is not only formal to mark differences but also responds to the expansion of continuous use of digital cameras. It is conceived to always be at hand, and to allow us to hunt each moment in the purest far west style.

Designer :: Cristina Toledo

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CERCLEETCARRE.COM DESIGN was born in 2000 impulsed by his creator Philippe TYBERGHIEN, who signs all his production under this generic name.
In the end of the eighties, he started his architecture studies (DPLG) and in the beginning of the Nineties discovers the emerging world of virtual images and CAD. In 2000, Philippe TYBERGHIEN decided to launch into DESIGN creation approaching each project on 3 axes ::

- stick to the prescriber and consumer needs (decoding social and cultural rites, adaptation to time and way of life…),

- offer an innovative product (the innovation takes different forms: technicality, choice of materials, rendered service…),

- give a personality to the object and produce “beautiful”: the product becomes visible and is posted.

All prototypes and products can be immediately spotted by their simple and sober forms (circle and square generally!!!!). The products often associate materials traditional in particular wood or manufactured in more technological materials like silicones and synthetic resins.

Strongly influenced by Bauhaus and Scandinavian or Japanese creation, the CERCLEETCARRE.COM DESIGN production mixes rigour, formal purity and harmony in space, each realisation releases a great poetry and an emotional load calling upon known decorative references (collection vintage and fun).

We must bring to our creations ingeniousness, surprised and beauty. The designer must show of relevance and listening from his contemporaries to contribute to the emergence of new decorative, economic and functional references.

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